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Wehşê Di Hundirê Min de

Book details

Binding Paperback
Language Kurdish (Kurmanji)
Publication year 2026
Pages 164
Dimensions (L/W/D) 19.5/13/0.7 cm
Weight 161 g
Edition 3 edition
ISBN 9786256271708
Manufacturer
Akkoyunlu 1st Street, Akkaynak Apartment no:15/D,
21100 Yenişehir/Diyarbakır
wesanensar@gmail.com

Helîm Yûsiv

Wehşê Di Hundirê Min de

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Description

Ein sorgfältig ausgewähltes Werk kurdischer Literatur – kuratiert für Leserinnen und Leser, die Sprache, Geschichte und Kultur vertiefen möchten.

In this surreal novel, Helîm Yûsiv powerfully portrays fear, human brutality, colonialism, power, and grotesque nightmares. He also sheds light on the connection between power and fear.

Frantz Fanon says, "Colonial peoples, deep down, do not accept any authority imposed upon them; they have been governed, but they have not been tamed; they have been degraded, but they never believe in their own degradation." It becomes clear: no matter how much one is a slave, deep inside, one's spirit accepts neither slavery nor bondage. How Hemîdo in the novel "Wehşê Di Hundirê Min de" finds himself, seizes his hammer, and smashes all the statues is a symbol of rebellion against authority, a rebellion against colonialism.

Book details
Binding Paperback
Language Kurdish (Kurmanji)
Publication year 2026
Pages 164
Dimensions (L/W/D) 19.5/13/0.7 cm
Weight 161 g
Edition 3 edition
ISBN 9786256271708
Verlag & Hersteller
Akkoyunlu 1st Street, Akkaynak Apartment no:15/D,
21100 Yenişehir/Diyarbakır
wesanensar@gmail.com
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EU-weiter Versand. Du hast 14 Tage Rückgaberecht. Die Versandkosten werden im Checkout berechnet.

Description

In this surreal novel, Helîm Yûsiv powerfully portrays fear, human brutality, colonialism, power, and grotesque nightmares. He also sheds light on the connection between power and fear.

Frantz Fanon says, "Colonial peoples, deep down, do not accept any authority imposed upon them; they have been governed, but they have not been tamed; they have been degraded, but they never believe in their own degradation." It becomes clear: no matter how much one is a slave, deep inside, one's spirit accepts neither slavery nor bondage. How Hemîdo in the novel "Wehşê Di Hundirê Min de" finds himself, seizes his hammer, and smashes all the statues is a symbol of rebellion against authority, a rebellion against colonialism.